Hymns of the Dead review at Dark Mofo 19th June 2019 By Mark Jenkins
Hymns of the Dead review at Dark Mofo, 19th June 2019 Odeon Theatre.
This event is unrelentingly and lovingly tagged ‘’The International House of Metal” and for us who celebrate this genre and all the side meanderings around it, it is one of the gigs of the year.
This year as with the previous years absolutely promised so, so much and superseded all degrees of epic greatness by the end of the evening.
First up were New Zealand purveyors of crushing war metal, Heresiarch. You know when you have a lead singer that looks likes peak Phil Anselmo, (but without the redneck comments) and has such supreme blackened death vocals and evil swagger then you know the opening band has the fucking goods. I was overwhelmed by the sheer heaviness of this four-piece, everything was so barbaric and heavy, but at the same time-besides the vocals and absolute war-machine style of drumming; none of the bass lines or guitar riffs stood out. And certainly on their releases, this is so much more clear cut, but this is not a criticism; I actually think it’s a magnificent statement how hectic they are live, an harsh audio steamroller over your senses. Not sure what’s in the NZ waters, but bands like this band and Diocletian are just pure and devastating extreme metal at it’s finest. Captivating and brilliant live.
Zhrine were the next amazing act. They hail from Iceland and visually were the opposite of the last band; they looked like an indie band that was more likely to play lo-fi folk etc. But no, we got a beautiful dose of dissonant and truly atmospheric black metal. And this is often the area that soars with this genre, dark tone punctured with ripping and searing riffs and an array of musical rollercoaster -like moments that keep you on your toes.
After the first two killer acts, Funebrarum hit the stage and owned it from the first moment they arrived. This was straight up nasty death metal from New Jersey and it was quite a time. No bullshit, straight for the throat evil music. And it went off a treat, and this is where Dark Mofo shines again with this event. Indeed it is a metal genre event; but the high quality and quintessential variation of the artists performing always is beyond impressive.
Dragged into Sunlight was the main act I was looking forward without any shadow of a doubt. This U.K. based noisy, crusty, black metal (and whatever extreme metal label you can possibly think of) unit were visually and ear crushingly awesome.
Whilst I give Mystifier the mighty horns up for longevity and no compromise in their sound and musical goals, I felt they were decent live but not incredible. And this is because of the precedent that Blasphemy achieved with their exceptional headline slot last year. Mystifier was loud, solid and heavy with their trademark black metal sound, backed by some incredible albums since their inception in 1989. The vocals were on point as were their playing skills and they delivered their set effectively and it was definitely enjoyable. It was raw black metal at it's best with enough gloom and doom to compliment their almost punk rock aggression.
Many thanks to Dark Mofo media for access.
Photo Credit: Dark Mofo/Jesse Hunniford, 2019