Album reviews: a truly fantastic selection Part One-The Owen Guns, Wicked Sisters/Foothills, TV Cult and Shatterface.
Album reviews: a truly fantastic selection Part One: The Owen Guns, Wicked Sisters/Foothills, TV Cult and Shatterface.
These are the dog bollocks, concise short reviews of shit you need to buy now. Got it, now read, buy and thank me later fuckface.
We have a blindingly awesome selection of releases here as the year draws to a close.
Let's go and get into these bangers.
Out Now:
release. Another fave of this zine is the mighty Wicked Sisters who seriously cannot put a foot wrong, this time with a perfect split; one song each with Foothills. Wicked Sisters tread that line of heavy as fuck industrial metal with a definite hardcore/extreme metal underpinning and their track, Spite is sensational. I love the journey this band takes you on each listen, sometimes more Type O Negative, sometimes Godflesh, but always hectic and uncompromising. Spite has stellar riffs, astute use of electronics and crushing vocals. Production is wild on this, with lovely clarity and an equal caustic tone. it borderline almost goes beatdown hardcore mixed with Industrial doom/death. A very solid 5-minute anthem with so, so much in one track. Hope this is the direction of the new album. Foothills is a non-pigeonholed band from NSW also and this is a perfect match for Wicked Sisters, although the approach is a more sludgy, doomy, dirge-like metal that dips into as much as melodic post-hardcore as Eyehategod/Tool worship-tangential in a super skilled, not confused manner. I had never heard of this band, but definitely want to check them. The track Maiden of Stone is grim, grating and intense. An absolute banger of a release from two sensational bands.
Out now:
TV CULT-Colony. Wow, this incredible band from Germany we all the way back in 2019 reviewed their demo and held it with high esteem and well deserved. And the band has just got better and better, less quirky stuff and now they are the most genuine and definitive Post Punk band around. This debut album is stunning on every level, and everything is so well designed and each track fits together so superbly. Post-punk like garage punk has so many wannabes, I mean I dug early Idles but now like similar bands they are so average, dull and mainstream. This is all about clever song structures, haunting and aggro vocals, acerbic riffs and a wild rhythm section. Tracks are the right mix of anger, melody, distortion and tangential off-beat mayhem. This album is still deeply entrenched in the peak period of the genre's origins and really hones in on an addictive tempo, harmony and palpable tension. In the whole mix especially with tracks like Empty Quarter and Running Man as well as a cool Bauhaus/Echo and the Bunnymen gothic vibe on killer tunes like Supplicant and Oubliette. And this influence is strong and proves that this band has so much skill, guile and artisan craft at what they do. Balancing out these moody tunes are flat-out punk ragers like Party's Over, White Riot, Teenage Nightmare, Crystal Cave, TV Cult and Hong Kong Song where the band channel Wire as much as Black Flag/Circle Jerks and even Magazine/Buzzcocks. But the impressive thing is they make it sound like their own sound, they own it and like every other release it demands replaying. Easily one of the year's best albums.
Out now:
Out now, hit the band up for this EP:
Watch this:
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